The Land Remembers Differently

Photo of a sugar mill at the Betty’s Hope plantation in Antigua by Sarah-Anne Gresham, Intersect Antigua-Barbuda.

Colonization renamed everything.

The land.

The mountains.

The flowers.

The dead.

Sugar came first.

Then oil.

Then tourists,

wanting sunsets

and pristine beaches

without history.

But the land remembers everything.

Chains pressed into skin.

Forests split open

for cane fields

to sweeten distant tea.

The tide holding names

history tried to drown.

Nothing disappeared.

It only changed form.

Beneath the resorts,

the cruise ships,

the gated hotels,

the land keeps speaking.

How quickly violence

learned to call itself

development.

Yet,

cassava continues

pushing upward

through abandoned fields,

as if the land

has not forgotten

its people.

Breadfruit trees

outliving imposed governments.

Their roots paying little attention

to polished gates.

The elders among us

still listen.

They know which herbs

survive floodwater.

How to coax food

from exhausted soil.

How to boil bush tea

for grief that has settled

too long inside the body.

At night,

the land speaks loudest.

It asks:

What does freedom mean

if children cannot afford

to remain

where their ancestors are buried?

What does sovereignty mean

when foreign banks

own the coastline?

And still,

communities plant gardens.

As if tending the land

is another way of saying:

We are still here.

empire understands

how to occupy land.

Not how to care for it.

Not how to touch the soil gently,

as one touches

the forehead

of a sleeping child.

Not ownership.

Kinship.

The land remembers.

Those who rise before the sun

to press seeds

into wounded soil,

trusting something living

can still rise from it.

Rashida James-Saadiya

Rashida James-Saadiya is a writer, visual artist, cultural educator, and Executive Director of the Muslim Power Building Project. Her work explores identity, kinship, memory, and social repair, tracing how communities carry history, preserve memory, and imagine futures beyond rupture.

Grounded in narrative power and movement-building, her writing engages questions of political resistance, migration, belonging, and collective liberation.

Her work has appeared in Truthout, Prism, Sapelo Square, The Forge, and several poetry and essay anthologies, including 1619 Speaks, Black Powerful: Black Voices Reimagine Revolution, and A Kaleidoscope of Stories: Muslim Voices in Contemporary Poetry.

She is a former Senior Civic Media Fellow with the USC Annenberg Innovation Lab.

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