Between the Lips of the Waterfall
Radical Love, This Is Not Love Nadja Adora Nabbie Radical Love, This Is Not Love Nadja Adora Nabbie

Between the Lips of the Waterfall

The clips are unfastened. The wig is removed. The iron-pressed shirt is undone along with the bra and the pants. All limbs buried become released as everything is pulled over. Under. Down.

She stands before the door. Feeling the tremor. Goes forward to the lock with fingertips trembling. Searching. Naked. Vulnerable in this corridor of wall, greyed like the lips of a waterfall.

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Wellness & Healing Justice
Intersect Intersect

Wellness & Healing Justice

Dr. Alvis discussed the violence of colonialism and heteronormativity on our bodies as well as surviving “otherwise” as Queeribbean people.

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Call for Submissions
Intersect Intersect

Call for Submissions

This is a crucial period in which Caribbean feminist adherents, emboldened by and spirited with a decolonizing, Queeribbean sensibility, must rise to meet this moment.

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Old Testaments
Artist-In-Residence Jacinth Browne-Howard Artist-In-Residence Jacinth Browne-Howard

Old Testaments

When I agreed to testify against that man, I did it because Isaiah wanted me to. Because I needed to. Because a little distance lulls you into a false sense of security. Because the silent empty well I’d been falling down for years finally allowed me to scream.  

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Salt
Artist-In-Residence Jacinth Browne-Howard Artist-In-Residence Jacinth Browne-Howard

Salt

She rose, a surging shadow, glowering. The rust-coloured tinge unfurling across the horizon signalled the disappearing sun. Damian didn’t know what shocked him more, the inordinate eclipse of her presence or the sudden rage of the sea.

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Babel and Babylon: Confronting Systems of Silence and Violence represented in novels by Cherie Jones and Kei Miller
Artist-In-Residence Jacinth Browne-Howard Artist-In-Residence Jacinth Browne-Howard

Babel and Babylon: Confronting Systems of Silence and Violence represented in novels by Cherie Jones and Kei Miller

There is so much more to say about how these women demonstrate feminist consciousness by fighting for themselves in the worst and most dire situations. There are so many more credits to attribute to the authors of these texts whose use of narratology, both in fiction and nonfiction, activates knowledge and clarifies absences about women which remained hidden historically

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Frig It! Screenplay for a not-yet-produced short film by Joanne C. Hillhouse
Artist-In-Residence Joanne C. Hillhouse Artist-In-Residence Joanne C. Hillhouse

Frig It! Screenplay for a not-yet-produced short film by Joanne C. Hillhouse

Irma swings the flashlight toward the gap where the door and window used to be.

Water gushes through both openings. A TEARING metallic sound. Irma swings the flashlight toward the roof. Another part of the GALVANIZE roof rips away. Cresilla’s scream cuts off when she looks up and glimpses a red-chested figure with black cape.

CRESILLA, in wonder, voice carrying in excitement: Frig it!

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Reconnecting to Caribbean Folklore with ‘When We Were Birds’
Intersect Intersect

Reconnecting to Caribbean Folklore with ‘When We Were Birds’

This is one such narrative that, for me at least, had lain dormant for too long. It blends the stories from our ancestors — recollections from the enslaved, the indentured, and the colonial masters, as well as remnants of indigenous memory. From the very opening of When We Were Birds, we are reminded of this supernatural heritage that is present in our culture.

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Don’t sleep on Caribbean Fantasy and Science Fiction: Caribbean Futurism (A Reflection on 𝑅𝑒𝑐𝑙𝑎𝑖𝑚, 𝑅𝑒𝑠𝘵𝘰𝑟𝑒, 𝑅𝑒𝘵𝑢𝑟𝑛)
Artist-In-Residence Joanne C. Hillhouse Artist-In-Residence Joanne C. Hillhouse

Don’t sleep on Caribbean Fantasy and Science Fiction: Caribbean Futurism (A Reflection on 𝑅𝑒𝑐𝑙𝑎𝑖𝑚, 𝑅𝑒𝑠𝘵𝘰𝑟𝑒, 𝑅𝑒𝘵𝑢𝑟𝑛)

My current reading is not by design but it’s a good jumping off point for reflection on how spec fic, or Caribbean futurism, is in many ways the type of fiction we need when the world is at its most volatile or uncertain.   

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Object Permanence
Artist-In-Residence Joanne C. Hillhouse Artist-In-Residence Joanne C. Hillhouse

Object Permanence

On the page, as in life, people (characters) have things that mean something to them; that come to symbolize things in the greater context of the story. For me, the key is not to force it (what a character’s thing is) but to discover it over the course of revisions.

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